I know, a lot of time has passed since my last entry and that I used to write more frequently in former times, but I had been busy over the last days. Part of that was related to programming a backend of a website and preparing a new Petcord release by Giorgos Stefanou called Elati. As you may have guessed already, this music is not likely equipped with a mass appeal and catchy melodies, else it would not wind up with Petcord ;-). But fear not, my dearest friends, it is a very fine work that deserves to be called electo acoustic, maybe even electro acoustics, as the virtual room created by the stereo panorama play an important role in Elati, namely being just as a parameter as tone length, pitch, volume or tempo.

Even better, the release does not endorse contemporary tendencies of flattening dynamic ranges by means of heavy compression, so that a song can be played on any equipment and any environment (independent from the background noise level). Instead, low volume really means hardly discernable sounds, since a huge dynamic range was carefully preserved during the mastering. Something this kind of music really benefits from as culmination points really get noticable just by the immense gain of volume. The cover art’s history is not less interesting either. Originally I made a draft similar to previous Petcord covers, but somehow the result was not convincing. Giorgos then had another draft, but I found it too conventional, as it featured just the run-of-the-mill “photo with subject line” type of cover. However combining the best of both surprisingly resulted in a satisfying solution and only little adjustments were necessary as most things worked out of the box.

The link between Elati and the music is unkown to me, or perhaps undefined by default, as Giorgos Stefanou does not care about carrying a message that is so important that every listener has got to identify it in order to qualify as worthy audience. Perhaps similar to my conviction that music is all about the listener can think of and the creator in this process is entirely irrelevant. If stated otherwise the music has become supplemental to the ritual of stage adolation. There are people in desperate need of someone they can look up to and project any of their unfulfilled dreams into as well as there are inflated egos who constantly need someone to tell them how great they are, before they doubt it.

Music as vehicle for attention craving sociopaths can be easily identified by its lack of substance and identity. Curiously, the most peculiar and controverse star shamans publish the most trivial and anonymous type of music. Stereotypes that could apply to anything and anyone. It comes in bulk, it lacks personal identification and we are exposed to unsolicited presentations. It perfectly fits to the definiton of spam. Musical spam, junk music. I laugh about their efforts of their marketing departments to have them considered as geniusses. If someone actually is, it will show and no justifications, redefinitions or explanations are necessary.